гл. ас. д-р Георги Няголов
Департамент: Световни езици и цивилизации
Телефон: 0889186874
E-mail: gniagolov@nbu.bg
Приемно време: Понеделник 11:00-13:00 Библиотека на НБУ I Корпус,Петък 14:30-16:30 Библиотека на НБУ I Корпус
Професионална автобиография:
Георги Няголов преподава английска литература, граждански знания и умения, общи и специализиран английски език в Нов български университет. Автор е на монографията "Shakespeare's Wordplay and Possible Worlds", студията "Competent Reading for the 21st Century: Global Trends through a Bulgarian Lens", статиите "Teaching Shakespeare through Performance for the 21st Century" и "Demythologising and Remythologising Shakespeare in the Context of Bulgarian Politics", както и на други публикации в областта на шекспирологията и педагогиката.
Публикации:
Niagolov, G., Lazarenko, D., & Petrova, S. (2026). The escape Hamlet: Teaching Shakespeare and key competences through gamification. English Studies at NBU, 12(1), 93–112.
Niagolov, G. (2024). "All that glitters is not gold": Reflections on Javor Gardev's production of William Shakespeare's The Merchant of Venice at the Bulgarian National Theatre. English Studies at NBU, 10(2), 309–325.
Няголов, Г. (2024). За общественото въздействие на науката [On the societal impact of research]. Литературна мисъл, 67(3), 33–45.
Няголов, Г. (2024). Проблеми на четенето и педагогиката на четенето в контекста на XXI век [Problems of reading and reading pedagogy in the context of the 21st century]. In А. Кьосев (Ed.), Читателски практики в България 2006–2022. Жанет 45.
Няголов, Г. (2022). [Review of the book Знамена и ключове: Поетика на епиграфа [Flags and keys: The poetics of the epigraph], by А. Игов]. Филологически форум, 8(2), 214–217.
Pancheva, E., & Niagolov, G. (2021). Medieval English literature: A reader. St. Kliment Ohridski University Press.
Niagolov, G. (2020). Competent reading for the 21st century: Global trends through a Bulgarian lens. Piron, (20).
Niagolov, G. (2016). Demythologizing and remythologizing Shakespeare in the context of Bulgarian politics. Cahiers Elisabethains, 90(1), 115–128.
Pancheva, E., & Niagolov, G. (2015). Renaissance English literature: A reader. St. Kliment Ohridski University Press.
Niagolov, G. (2014, September 22). An open source Hamlet? Review of Hamlet or Three Boys and One Girl (adapted and directed by Nikolay Georgiev and the @lma @lter Student Theatre-Laboratory) at the Theatre Hall of Sofia University. English and American Studies at Sofia University.
Niagolov, G. (2013). Conflict and convergence in Shakespeare's wordplay. In C. Dente & S. Soncini (Eds.), Shakespeare and conflict: A European perspective (pp. 68–78). Palgrave Macmillan.
Niagolov, G. (2013). Labours lost or labours won? Teaching Shakespeare through performance at Sofia University. In E. Pancheva, C. Stamenov, M. Pipeva, & G. Niagolov (Eds.), Peregrinations of the text: Reading, translation, rewriting. Essays in honour of Alexander Shurbanov. St. Kliment Ohridski University Press.
Pancheva, E., Stamenov, C., Pipeva, M., & Niagolov, G. (Eds.). (2013). Peregrinations of the text: Reading, translation, rewriting. Essays in honour of Alexander Shurbanov. St. Kliment Ohridski University Press.
Niagolov, G. (2013). Review of Hamlet or Three Boys and One Girl (adapted and directed by Nikolay Georgiev and the @lma @lter Student Theatre-Laboratory) at the Theatre Hall of Sofia University, Bulgaria, 12 March 2013. Shakespeare, 9(3), 356–358.
Niagolov, G. (2013). Shakespeare's wordplay and possible worlds. St. Kliment Ohridski University Press.
Няголов, Г. (2012). Напразни или ненапразни са усилията на любовта? Преподаване на Шекспир посредством театър в Софийския университет [Labours lost or labours won? Teaching Shakespeare through performance at Sofia University]. Педагогика, 84(4), 608–617.
Niagolov, G., & Dumanova, P. (2011). Legal English for Bulgarian professionals. Sibi.
Niagolov, G. (2011). The preposterous postness of being: The case of a recent Bulgarian adaptation of The Tempest. Shakespeare Bulletin, 29(3), 303–311.
Niagolov, G. (2010). Cleopatra: Shakespeare's tragic woman. In K. Slavova & I. Boof-Vermesse (Eds.), Gender/genre. St. Kliment Ohridski University Press.
Niagolov, G. (2009). Plato's healing poison, Zeno's motionless flight, Shakespeare's tricky lies and Schroedinger's cat's ghost. In Сборник с доклади от шестата конференция на младите учени и докторантите от Факултета по класически и нови филологии [Proceedings of the sixth conference of young scholars and doctoral students of the Faculty of Classical and Modern Philology]. Университетско издателство „Св. Климент Охридски“.
Niagolov, G. (2008). Different ideas about language: A comparative study of Additions II and III to the anonymous early modern play Sir Thomas More and its modernized version in The Complete Oxford Shakespeare. In Сборник с доклади от четвъртата конференция на младите учени и докторантите от Факултета по класически и нови филологии [Proceedings of the fourth conference of young scholars and doctoral students of the Faculty of Classical and Modern Philology]. Университетско издателство „Св. Климент Охридски“.
Niagolov, G. (2005). The overreader: An essay on (con)textual magic from Marlowe's Faustus to Shakespeare's Prospero [Master's thesis, Sofia University "St. Kliment Ohridski"]. Academia.edu.
Niagolov, G. (n.d.). The state of man: Shakespeare's wordplay and the presentation of complex moral issues [Unpublished manuscript]. Academia.edu.
Niagolov, G. (2024). "All that glitters is not gold": Reflections on Javor Gardev's production of William Shakespeare's The Merchant of Venice at the Bulgarian National Theatre. English Studies at NBU, 10(2), 309–325.
Няголов, Г. (2024). За общественото въздействие на науката [On the societal impact of research]. Литературна мисъл, 67(3), 33–45.
Няголов, Г. (2024). Проблеми на четенето и педагогиката на четенето в контекста на XXI век [Problems of reading and reading pedagogy in the context of the 21st century]. In А. Кьосев (Ed.), Читателски практики в България 2006–2022. Жанет 45.
Няголов, Г. (2022). [Review of the book Знамена и ключове: Поетика на епиграфа [Flags and keys: The poetics of the epigraph], by А. Игов]. Филологически форум, 8(2), 214–217.
Pancheva, E., & Niagolov, G. (2021). Medieval English literature: A reader. St. Kliment Ohridski University Press.
Niagolov, G. (2020). Competent reading for the 21st century: Global trends through a Bulgarian lens. Piron, (20).
Niagolov, G. (2016). Demythologizing and remythologizing Shakespeare in the context of Bulgarian politics. Cahiers Elisabethains, 90(1), 115–128.
Pancheva, E., & Niagolov, G. (2015). Renaissance English literature: A reader. St. Kliment Ohridski University Press.
Niagolov, G. (2014, September 22). An open source Hamlet? Review of Hamlet or Three Boys and One Girl (adapted and directed by Nikolay Georgiev and the @lma @lter Student Theatre-Laboratory) at the Theatre Hall of Sofia University. English and American Studies at Sofia University.
Niagolov, G. (2013). Conflict and convergence in Shakespeare's wordplay. In C. Dente & S. Soncini (Eds.), Shakespeare and conflict: A European perspective (pp. 68–78). Palgrave Macmillan.
Niagolov, G. (2013). Labours lost or labours won? Teaching Shakespeare through performance at Sofia University. In E. Pancheva, C. Stamenov, M. Pipeva, & G. Niagolov (Eds.), Peregrinations of the text: Reading, translation, rewriting. Essays in honour of Alexander Shurbanov. St. Kliment Ohridski University Press.
Pancheva, E., Stamenov, C., Pipeva, M., & Niagolov, G. (Eds.). (2013). Peregrinations of the text: Reading, translation, rewriting. Essays in honour of Alexander Shurbanov. St. Kliment Ohridski University Press.
Niagolov, G. (2013). Review of Hamlet or Three Boys and One Girl (adapted and directed by Nikolay Georgiev and the @lma @lter Student Theatre-Laboratory) at the Theatre Hall of Sofia University, Bulgaria, 12 March 2013. Shakespeare, 9(3), 356–358.
Niagolov, G. (2013). Shakespeare's wordplay and possible worlds. St. Kliment Ohridski University Press.
Няголов, Г. (2012). Напразни или ненапразни са усилията на любовта? Преподаване на Шекспир посредством театър в Софийския университет [Labours lost or labours won? Teaching Shakespeare through performance at Sofia University]. Педагогика, 84(4), 608–617.
Niagolov, G., & Dumanova, P. (2011). Legal English for Bulgarian professionals. Sibi.
Niagolov, G. (2011). The preposterous postness of being: The case of a recent Bulgarian adaptation of The Tempest. Shakespeare Bulletin, 29(3), 303–311.
Niagolov, G. (2010). Cleopatra: Shakespeare's tragic woman. In K. Slavova & I. Boof-Vermesse (Eds.), Gender/genre. St. Kliment Ohridski University Press.
Niagolov, G. (2009). Plato's healing poison, Zeno's motionless flight, Shakespeare's tricky lies and Schroedinger's cat's ghost. In Сборник с доклади от шестата конференция на младите учени и докторантите от Факултета по класически и нови филологии [Proceedings of the sixth conference of young scholars and doctoral students of the Faculty of Classical and Modern Philology]. Университетско издателство „Св. Климент Охридски“.
Niagolov, G. (2008). Different ideas about language: A comparative study of Additions II and III to the anonymous early modern play Sir Thomas More and its modernized version in The Complete Oxford Shakespeare. In Сборник с доклади от четвъртата конференция на младите учени и докторантите от Факултета по класически и нови филологии [Proceedings of the fourth conference of young scholars and doctoral students of the Faculty of Classical and Modern Philology]. Университетско издателство „Св. Климент Охридски“.
Niagolov, G. (2005). The overreader: An essay on (con)textual magic from Marlowe's Faustus to Shakespeare's Prospero [Master's thesis, Sofia University "St. Kliment Ohridski"]. Academia.edu.
Niagolov, G. (n.d.). The state of man: Shakespeare's wordplay and the presentation of complex moral issues [Unpublished manuscript]. Academia.edu.